Los Angeles

ImageIn many places in the world a bakery is often the nexus of a neighborhood.  A place where the locals meet to buy baked goods and bread. Bread, the so-called ’staff of life,’ is inexpensive nourishment to many people. Slowly but surely The Village Bakery and Cafe has become the nexus of our Atwater Village neighborhood. Much like their sisters in Europe, it has a walk up counter with a shelf of various types of bread behind.

When I go in and see the stacks of freshly baked baguettes it feels a bit like it did when I bought the daily loaf while living in France. The difference here is you can also order coffee, a house-made pastry, breakfast or lunch, then sit and WiFi it up for as long as you want. Since it’s located very close to the horse stables and riding schools along the Los Angeles River, I’ve seen more than a patron or two wearing English riding boots and jodphurs as well as the occasional cowboy boots. A bit of local neighborhood color.

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charlies2.jpgI’m always dragging my friend Laur with me to try out new restaurants. From casual gastropubs up the street like Laurel Tavern, to “modern (molecular) cooking” at The Bazaar across town. She’s always up for a new dining adventure no matter where we go.

When she invited me to dinner at a new place in Malibu last month, I thought to myself, “Seriously, does anyone DRIVE to Malibu just for dinner?” I wondered if trying to get there during rush hour would be worth all the trouble.

If you live in Los Angeles, you understand the hell that is our freeway system, especially during the work week. Sometimes it can take hours to crawl across the 405 freeway, and even shortcuts are clogged with hungry diners trying to make that 7 or 8pm dinner reservation.

It wasn’t just the thought of midweek traffic that bothered me: it was also the general consensus (I think) that Malibu proper is for locals only. I’ve lived in Studio City for fifteen years now, and I can remember driving to Malibu only once for an actual dinner. It was an intimate gathering at some restaurant (can’t remember which one) for a friend’s 40th birthday party. 

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foundry-on-melrose.jpgI hold restaurant grudges. Big time. If they take french fries off the menu and replace them with sweet potato fries (ahem, Melrose Bar & Grill), if I get sick from the seaweed salad (ahem, Reel Food Daily), if the take out portions are unreasonably small and unbelievably expensive (ahem, Nook), mark my words, I will never come back. EVER. But what happened the first time I went to the Foundry, might not have been entirely their fault.

I was starving and jet-lagged and I was with my then new, "not-quite-boyfriend" with whom things were getting increasingly awkward. We ordered vodka sodas while we waited for our table that wasn't quite ready, plopped ourselves into bar stools and took a much-needed sip of . . . tonic. I hate tonic. I'm actually allergic to tonic, but no one ever believes me when I say that. It was an honest enough mistake and was quickly corrected. But when we finally sat down, I noticed there were only four things on the menu. Four. Something with duck confit, some kind of lamb situation, veal and chicken. They were out of chicken. So Mr. Wrong left some money on the table, politely explained that I'd just gotten off a plane and we needed something a little less . . . fussy.

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mozzalogo.jpg Dinner at a great restaurant is like jazz music. The Duke Ellingtons, Count Basies and Billie Holidays of the culinary world perform their signature genius through improvisation.

Such is the case with Nancy Silverton of La Brea Bakery fame, Chef Mario Batali, and winemaker / restaurateur Joseph Bastianich, who together own Pizzeria Mozza, an up tempo hotspot in Los Angeles.

The trio really knows how to riff when it comes to putting a new stamp on old standards.

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shirley_temple_sm.jpg Clementine, the great west-side L.A. charcuterie has amazing candies, too...

Ok, so I love Shirley Temple.  Anyone who thinks I’m a sap can eat me.  She was a genius.  There’s never been a child performer who could do what she did.  At the age of 3, she could sing, dance and act. 

When she uh, matured, one of the many things she did was a television show called Shirley Temple’s Storybook. It ran from 1958-1960. She did all the classics and even starred in some of them. 

As young as I was, I was aware of the schism between her matronly plumpness and the tight fitting costumes she squeezed into as she appeared as The Little Mermaid among others.  But, that never diminished my love for her.

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