Cooking Techniques and Kitchen Gadgets

After the Great Sprinkler Disaster of ’13, which drove our guests, sopping wet, to their cars, Bruce checked the forno, our 500-yead-old pizza oven, for temperature and said it was a good time to put in the tomatoes. JoJo had prepared them earlier in the day — a dozen or so juicy red beauties that had been trucked up from Sicily where tomatoes ripen a month earlier than in Umbria.

She simply halved them, scattered them with sliced garlic, oil, salt and parsley from our garden and put them aside to wait for the heat of the oven to drop, which happened around 1:30 in the morning, after the cleanup.

We put the two trays of tomatoes into the oven, said goodnight to Bruce and JoJo and went to bed. I woke the next morning, made some coffee and attacked the crossword puzzle. Halfway through, Jill called down:

“How are the tomatoes?”

“Tomatoes?”

I’m a pasta snob.  I admit it and I don’t apologize for it.  I believe that great pasta is an Italian cultural artifact that’s been given to the world.  And when I talk about pasta I’m talking about DRY PASTA, that is, Durum Wheat pasta.  Pasta made with semolina  from exceptional (now, often North American) hard winter wheat.

Over centuries Italian artisans learned how to combine hard wheat with water, humidity and moving air into an easy to store source of calories and whimsy.  High quality dry pasta is all about texture.

When properly made it is porous enough to absorb condiments or “sauce”, yet sturdy enough to withstand boiling in water and remain resistant while tender.  Good dry pasta should be as satisfying to eat as meat.  It is not easy to achieve and my favorites are all imported from Italy.  

I spent last weekend at a workshop on Charcuterie: the craft of salting, curing and smoking pork under a hunter’s full moon with authors, Michael Ruhlman and Brian Polcyn in the precious, coastal Maine town of Dear Isle. My first time off in 7 months and they had one more opening. How lucky am I?

All 30 fellow students gathered for the workshop at 3 o’clock Friday afternoon under a sunny sky with a warm ocean breeze. Everyone milled around the beautifully restored post and beam barn meeting each other and patting the vocal goats in one of the stalls that begged for attention. Jumbo bales of hay dotted the corners of the barn as kittens slept in the afternoon sun, unconcerned that the barn was slowly filling with a crowd.

There was a long communal table set with plates, flatware and empty platters for later. A large commercial stove was set up outside the large barn door on the dirt driveway connected to a small propane tank that was jerry-rigged, all sitting next to the jumbo winter wood pile. Next to the makeshift butchering table laid out with Chef Polcyn’s knives was a large livestock watering trough filled with ice blocks covering Lucy, a very lovingly raised and killed pig-she was the other ‘rock star’ of the workshop.

I am happy to be a "canbassador" for SweetPreservation.com, a community site of the Northwest cherry growers and soft fruit growers of Washington state. They sent me a big box of juicy, sweet, ripe Country Sweet peaches which I agreed to preserve, of course. A post from Dorie Greenspan on Facebook about ginger, peach vanilla jam inspired me to create preserves with the same flavor combination.

The difference between preserves and jam is sugar. Jam uses a lot of it and preserves use less. I like the flexibility of preserves. You can use preserves in place of jam but you can also use preserves in recipes or as a dessert topping. It's particularly good mixed with plain yogurt. The ginger and vanilla complement the tangy sweet flavor of peaches. I used a combination of fresh ginger and candied ginger, something I found in a ginger peach jam recipe. The ginger is very subtle, you just get a hint of it towards the end of each bite.