There’s a certain sort of woman for whom Tina Fey is their spirit animal. In the words of Jack Donaghy of “30 Rock,”: “New York. Third wave feminist. College educated. Single and pretending to be happy about it. Over-scheduled, under-sexed. You buy any magazine that says ‘healthy body image’ on the cover. And… Every two years you take up knitting for… a week.” Of course this is Alec Baldwin describing Liz Lemon, Tina Fey’s television alter-ego, but it could describe any number of women (that I know).
To say “Bossypants,” the new memoir out now from Little, Brown, by the former head writer of SNL and creator of the criminally under-watched “30 Rock” is funny seems like a given – you don’t become the top writer at the most renowned institution of American comedy by being merely chuckle-worthy. But it is surprising to find Fey funny when she’s talking about her hopes for her daughter, (“O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers, and the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed,”) and what she describes as when her “face was slashed.” (“My whole life, people who ask about my scar within one week of knowing me have invariably turned out be egomaniacs of average intelligence or less. And egomaniacs of average intelligence or less often end up in the field of TV journalism.”)